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Patterned walls and ornate mirrors give the sleeping area a Venetian character. Some layouts pair blue walls with a writing table beside the window. Others have pale green fabrics around a sofa and armchair at the foot of the bed. Glass chandeliers hang above the room, with framed artwork beside the windows.

The marble bathroom has a bathtub and a glass-enclosed shower. Red-toned or gray marble surrounds the bathing area, with a broad mirror above the basin. Depending on the layout, the room also has a long console or a writing table.

Hand-painted panels and shaped headboards bring Venetian design from the 1700s into the room. One arrangement pairs red curtains with a sofa and a round table. Another has painted green panels and blue window drapes, with ornate mirrors above small consoles. Glass chandeliers hang over the sleeping area.

In several layouts, a pair of chairs and a table sit near the bed. The marble bathroom has a bathtub and a separate glass shower. A long vanity sits beneath the mirror, with green marble used in one bathroom arrangement.

Tall windows face Campo Santa Maria del Giglio, with the church and neighboring palazzi forming the outlook. The interiors vary between pale pink panels and blue patterned walls. A writing table stands near the windows, and a chandelier hangs above the sleeping area. One blue layout includes a small sofa at the foot of the bed and an ornate mirror above a pale console.

Marble surrounds the bathroom, where the bathing arrangements vary. Some layouts have a built-in bathtub alongside a glass shower enclosure, with a broad mirror above the basin. The bedroom windows can be opened.

Across the water, windows frame Santa Maria della Salute and the palazzi on the opposite bank. In a blue arrangement, a small sofa stands at the foot of the bed. A writing table sits below an ornate wall mirror. Other interiors have pale walls and richly patterned curtains beneath a glass chandelier.

One bedroom layout has a freestanding tub beside the window. In another, a built-in tub sits alongside a separate glass shower in the bathroom. Marble surrounds the vanity and bathing area.

The lounge opens toward a separate bedroom, facing the Rio delle Ostreghe side canal or city rooftops. In a blue-and-green layout, a sofa and armchairs gather around a low table. A writing desk stands beside the window, with restored antiques, Murano glass lamps and Venetian artwork elsewhere in the room.

Floor finishes vary between oak parquet, heritage terrazzo and carpet. The marble bathroom has a bathtub and a separate shower. In one layout, glass doors enclose the shower beside a long vanity. Pale stone panels run from the floor to the walls.

The sitting room faces Campo Santa Maria del Giglio and its baroque church, with glimpses of the Grand Canal. Venetian mirrors and original oil paintings hang around the lounge, with Italian art books nearby. A dining table seats four beside the windows, and the room also has a stocked wet bar.

In a cream-and-rust layout, matching curtains and a shaped padded headboard frame the bedroom. A writing table stands near the window. The marble bathroom has a deep soaking tub and a separate shower, plus a powder room. The suites occupy the first through third floors.

La Fenice and Coppa Volpi offer two distinct interiors, linked by views of Campo Santa Maria del Giglio and glimpses of the Grand Canal. La Fenice has Empire furniture and a restored harpsichord painted with mythological scenes. Coppa Volpi pairs film-award photographs with a Murano glass chandelier and a lounge of sofas and armchairs.

Each has a separate bedroom and a dining table for four. In the La Fenice bedroom, blue upholstered seats stand at the foot of the bed beneath a glass chandelier. Deep soaking tubs and separate rain-effect showers form part of the marble bathrooms. An additional powder room is provided.

Four suites have distinct interiors, from a 1970s New York apartment style to ornate Venetian salons. Donghia pairs dark walls and modern artwork with a sofa and armchairs. Ruskin has red fabrics, antiques and framed paintings. In Punta della Dogana, pale blue walls sit beneath a carved ceiling. Its full-height windows face Santa Maria della Salute.

Each lounge has a separate bedroom, and the dining tables seat four. The marble bathrooms pair deep soaking tubs with separate rain-effect showers. Green marble and pale stone appear in different bathroom layouts.

Five French windows face Punta della Dogana and Santa Maria della Salute from the corner sitting room. Restored antiques and gilded mirrors surround the sofas and armchairs, with Venetian paintings from the 1800s. A dining table seats four near the windows, and a wet bar occupies the salon.

The separate bedroom has antique furniture, porcelain and historic oil paintings. A separate dressing area accompanies the marble bathroom, which has a deep soaking tub, a walk-in shower and twin vanities. A powder room sits off the entrance. The suite occupies the palazzo's first noble floor.

From the first noble floor, windows look across the waterfront to San Giorgio Maggiore and Santa Maria della Salute. Punta della Dogana also forms part of the outlook. Portraits, photos and books recall W. Somerset Maugham, with a mirrored bookcase behind the lounge. Sofas and armchairs in heritage fabrics sit beneath a glass chandelier. A polished writing desk stands by the windows, and a dining table seats four.

The separate bedroom has watercolors of St. Mark's Square and a handmade Murano glass chandelier. Marble lines the bathroom, with a bathtub, separate shower and twin vanities. There is also a separate powder room.

Two living areas sit at the top of the palazzo. Walls are painted with frescoes or lined with heritage Rubelli fabrics, with restored antiques and art books around the sofas. One of the rooms also has a stocked bar. From the bedroom's south-facing windows, views cross nearby rooftops toward the dome of Santa Maria della Salute.

Loungers, dining furniture and planted borders spread across the rooftop. Views extend to the southern lagoon and San Giorgio Maggiore. The marble bathroom has a bathtub, a separate shower and twin basins. Red floral fabrics and framed paintings appear in one bedroom layout.

French doors frame the Grand Canal from a corner of the first noble floor. Green and gold fabrics surround the sitting room, where restored antique cabinets, literary books and portraits recall Ernest Hemingway's stays. A wet bar sits beside the lounge, and a dining table seats four. The writing desk and grouped armchairs occupy the window side of the room.

Across the hall, the bedroom also overlooks the canal. A hand-carved wooden headboard and silk drapes continue its Venetian character. The marble bathroom pairs a deep bathtub with a separate shower and twin basins, with a powder room provided separately.