Best for
Opera nights and first visits centered on San Marco suit this address, with La Fenice and Piazza San Marco close to your base.
Best for
Opera nights and first visits centered on San Marco suit this address, with La Fenice and Piazza San Marco close to your base.
What makes it special
The former Stock Exchange gives Nolinski a civic presence, while contemporary interiors offer a different Venetian mood from the city's traditional palazzo hotels.
Room to consider
For time outside your room, ask specifically about a terrace; the individually designed accommodation makes exact configuration more useful than category names.
Insider tip
Discuss your airport arrival with the concierge before travel, comparing private water taxi and public water transport rather than assuming a conventional car transfer.
Free membership gives you access to preferred rates, exclusive benefits and current promotions for your stay.
Nolinski Venezia occupies Venice's former Stock Exchange on Calle Larga XXII Marzo, a short walk from Piazza San Marco and La Fenice. Its facade has the presence of a civic building; inside, the scale is more personal, with 43 rooms and suites across five floors. Art Nouveau, Liberty style and modern details sit alongside Venetian stone, glass and art. The hotel belongs to Evok Collection, but this address has a character of its own. It suits a stay built around walking, theatre and the city rather than long afternoons behind hotel gates.
The building is part of the reason to stay. Its original purpose gives the public rooms a different weight from that of a converted private palazzo, while the interiors by Le Coadic Scotto are deliberately contemporary. Terrazzo, marmorino and dark mango wood give the rooms texture without turning them into a period set. You can be in the thick of San Marco and still return to a hotel that feels composed.
A private entrance hall separates the room from the corridor. Wooden floors run beneath the furniture, and the windows open onto the city. Handmade mosaics and a gold octopus motif decorate the bathroom. It has a marble basin and a shower.
In one bedroom layout, the stucco headboard has pale swirling panels beneath a dark round mirror. Diagonal bars cross the glass. Sculpted pale wall lamps rest on angled black arms above small round bedside shelves. Long curtains frame the window, and a broad pale rug runs beneath the sleeping area.
A grey wall panel with an outlined edge holds a framed abstract work beside a small green artwork. The room collection also uses mango-wood panels, grey marmorino and powder-pink velvet. Its hand-blown glass lights draw their shapes from lamps in the Doge's Palace.
A private entrance hall separates the room from the corridor. Wooden floors run beneath the furniture, and the windows open onto the city. Handmade mosaics...
Books, Murano glass objects and selected artworks sit among the furniture. The room collection mixes mango-wood panels and grey marmorino with powder-pink velvet. Its hand-blown glass lights draw on lamps in the Doge's Palace. The mosaic-tiled bathroom has a shower or bath, depending on the room.
In one bedroom layout, a dark round mirror with a grid pattern hangs above the headboard. A larger mirror on the next wall has a pale smooth frame around mottled glass. The stucco panel behind the bed has pale swirling patterns. Sculpted lamps on angled dark supports flank it.
A red padded seat stands beside a low glass-topped table at the edge of the sleeping area. A tall floor lamp has a pale shade, and a broad light-coloured rug lies beneath the furniture. Thin white outlines mark the grey wall panels around these fittings.
Books, Murano glass objects and selected artworks sit among the furniture. The room collection mixes mango-wood panels and grey marmorino with powder-pink velvet. Its hand-blown...
This room can connect to another room, subject to availability.
Original artworks and art books sit alongside Avem Murano glass in the room collection. Mango-wood panels, grey marmorino and powder-pink velvet form its mix of finishes. Hand-blown glass lights draw on lamps in the Doge's Palace. The mosaic-tiled bathroom has a shower or bath, with the layout varying by room.
In one bedroom layout, tall arched windows line a wall behind long curtains. Two curved red seats face across a small round glass-topped table beside the windows. A slim floor lamp with a pale shade stands at the side of the sitting corner.
Pale swirling panels form the headboard beneath a dark round mirror. Diagonal bars cross the mirror's glass. Sculpted pale lamps extend from angled black supports at either side. Open dark shelves stand at the room's edge, and a broad pale rug lies beneath the furniture.
Original artworks and art books sit alongside Avem Murano glass in the room collection. Mango-wood panels, grey marmorino and powder-pink velvet form its mix of...
Some suites have a separate sitting room or terrace. An extra single bed is available on request.
Furniture made for the rooms sits with original artworks and Avem Murano glass. Art books fill the suite family's living spaces, where thick rugs and heavy drapes add texture. The private bathroom has a shower or bath, depending on the suite's layout.
One layout in the Junior family has a sloping ceiling crossed by exposed grey beams. Pale swirling panels form the stucco headboard. Above it, a dark round mirror has diagonal grid lines across its glass. Pale wall lamps have shaped shades, with angled black supports beside the sleeping area.
A tall framed doorway reveals a pale pink sofa and red seat beneath a framed city picture. The room collection combines mango-wood panels with grey marmorino. Powder-pink velvet brings another finish to its furniture and decor.
Furniture made for the rooms sits with original artworks and Avem Murano glass. Art books fill the suite family's living spaces, where thick rugs and...
Each of the two connecting rooms has its own bathroom, with a shower or bath depending on the layout. Mosaics and gold octopus motifs decorate the wash areas. Artworks, books and Murano glass furnish the room collection. Its finishes include mango-wood panels, grey marmorino and powder-pink velvet.
The pictured component bedroom has dark parallel ceiling beams above two tall windows. Long curtains and broad valances frame the openings. Pale swirled panels form the headboard beneath a dark round mirror. Diagonal bars cross its glass. Sculpted pale lamps sit on angled black supports at either side.
Two curved red seats face a small round glass-topped table at the room's edge. An open dark shelving frame stands beside the sleeping area. A broad pale rug runs beneath the furniture.
Each of the two connecting rooms has its own bathroom, with a shower or bath depending on the layout. Mosaics and gold octopus motifs decorate...
A sitting room or terrace features in selected Junior layouts. Additional single beds are available on request.
Custom-made furniture sits with original artworks and art books in the suite family. Murano glass objects by Avem add to the decor. The private bathroom has a bath or shower, while thick rugs and heavy window drapes bring texture to the rooms.
In one Junior-family layout, exposed grey beams cross a ceiling that slopes above the sleeping area. The stucco headboard has pale panels with swirling patterns. A dark round mirror hangs against them, with diagonal bars across its glass. Pale sculpted lamps rest on angled dark arms at the sides.
A tall framed doorway reveals a pale pink sofa and red chair. A framed city picture hangs on the wall beyond. The room collection uses mango-wood panels, grey marmorino and powder-pink velvet. Hand-blown glass lights draw their forms from lamps in the Palazzo Ducale.
Custom-made furniture sits with original artworks and art books in the suite family. Murano glass objects by Avem add to the decor. The private bathroom...
This suite may connect to another suite, subject to availability.
Large mirrors feature in the bedroom and its separate sitting room. Original art, art books and Murano glass by Avem sit among the furniture. The bathroom has a shower or bath, depending on the suite's layout.
In one sitting layout, a pale pink sofa stands below a large round mirror. A pale frame surrounds its mottled glass. The sofa has a scalloped top edge and round end cushions. Two red seats face a low rectangular glass-topped table. One has a slim silver-coloured frame; the other has a patterned back.
Open dark framing supports a shelf with a gold-framed portrait above a small countertop and a round red stool. A dark wardrobe has angled line details. The floor's herringbone pattern runs around a pale rug. White outlines mark the grey wall panels behind the furniture.
Large mirrors feature in the bedroom and its separate sitting room. Original art, art books and Murano glass by Avem sit among the furniture. The...
A single bed is available on request. This suite can connect to another suite, subject to availability.
The bedroom opens into a separate sitting room in this through-suite layout. There is also a dressing room for clothing. Original artworks, books and Murano glass by Avem furnish the living area. Gold mosaics decorate the bathroom, which has a shower or bath depending on the layout.
In one bathroom and lounge layout, a large gold-coloured sliding panel partly screens the bathing space. Small pale mosaic tiles frame a gold octopus motif above a pale bathtub edge. Gold-coloured controls and a hand shower sit on the wall. Pale swirled panels frame the doorway.
A pale pink sofa faces a low rectangular glass-topped table in front of the bathroom opening. Books rest on the table's lower shelf, beneath its angled silver-coloured frame. Thick rugs and heavy drapes add different textures around the furniture.
The bedroom opens into a separate sitting room in this through-suite layout. There is also a dressing room for clothing. Original artworks, books and Murano...
An extra single bed is available on request. A connection to another suite is subject to availability.
The bathroom has a bathtub, and original artworks furnish the individually designed interior. Avem Murano glass and art books add to the decor. The room collection uses mango-wood panels and grey marmorino, with powder-pink velvet and stucco behind the beds.
In one bedroom layout, an ornate clear chandelier hangs below the ceiling. Decorative borders and shaped outlines run around its edges. Long curtains fall from a broad valance around a tall arched window. Pale swirling patterns cover the headboard wall beneath a dark round mirror. Diagonal lines cross the mirror's glass.
Open shelves stand opposite the bed on a dark frame. They hold books and decorative vessels above a low cabinet. A pale rug runs across the sleeping area, with a herringbone-patterned floor around its edges.
The bathroom has a bathtub, and original artworks furnish the individually designed interior. Avem Murano glass and art books add to the decor. The room...
You may request an extra single bed. Connecting suites are subject to availability.
In one bedroom layout, shallow ribs curve along a vaulted ceiling above an ornate clear chandelier. Long curtains frame a tall window. A pale swirled panel behind the bed holds a dark round mirror with diagonal lines across its glass.
A pink bench spans the foot of the bed, with round cushions at each end. Beside the window stands a red padded chair on a slim silver-coloured frame. A pale rug covers the sleeping area, and the floor's herringbone pattern runs around its edges.
The private bathroom has a bathtub. Original artworks and art books form part of the master-suite decor, alongside Murano glass made by Avem. Within the room collection, mango-wood panels and grey marmorino contrast with powder-pink velvet. These finishes bring different textures to the interiors.
In one bedroom layout, shallow ribs curve along a vaulted ceiling above an ornate clear chandelier. Long curtains frame a tall window. A pale swirled...
An extra single bed may be provided on request, subject to availability.
Original art, books and Murano glass by Avem accompany the furnishings. The bathroom has a shower or bath, depending on its arrangement. The room collection combines stucco headboards with mango-wood panelling, grey marmorino and powder-pink velvet.
In one bedroom layout, a tall arched window has sheer curtains behind heavier drapes. A dark wardrobe stands beside it, with diagonal line details and a long shaped handle down its centre. A pale swirled panel behind the bed supports a round dark mirror with a crossing grid pattern.
A pink bench with cylindrical end cushions spans the foot of the bed. Near the window, a red chair sits beside a small round glass-topped table, beneath a tall lamp with a pale shade. A broad pale rug extends across the sleeping area, while white outlined panels frame sections of the grey walls.
Original art, books and Murano glass by Avem accompany the furnishings. The bathroom has a shower or bath, depending on its arrangement. The room collection...
You can request an extra single bed, subject to availability.
Original art, books and Murano glass by Avem furnish the sitting space. The bathroom has a bathtub. The room collection uses mango-wood panels, grey marmorino and powder-pink velvet for its finishes.
In one lounge layout, a pale pink sofa faces a low rectangular glass-topped table. Two red seats have different frames. One is slim and silver-coloured; the other has a diamond pattern across its back. A pale rug lies beneath the seating, with a herringbone-patterned floor around its edges.
Open dark framing supports shelves with books and decorative vessels beside a tall dark cupboard. A framed portrait hangs above the low wall cabinet. White outlines run across the grey wall panels. The table has a lower shelf for books, and its glass top rests on an angled silver-coloured frame.
Original art, books and Murano glass by Avem furnish the sitting space. The bathroom has a bathtub. The room collection uses mango-wood panels, grey marmorino...
A single bed can be added on request, subject to availability.
Art books and original artworks sit with Murano glass by Avem. The bathroom has a bath or shower, depending on the layout. Stucco headboards and hand-blown glass lights add to the room collection's crafted finishes.
One sitting layout has two tall windows with long curtains and broad valances. A red padded chair stands on a slim silver-coloured frame opposite a low rectangular glass-topped table. A pale pink sofa runs along the side of the seating area, above a broad pale rug.
A round two-tier trolley on wheels sits between the windows, with a tall floor lamp nearby. The dark wardrobe has diagonal line details and a long curved handle. The floor's herringbone pattern runs around the rug. Outlined grey wall panels frame the windows and the doorway at the room's edge.
Art books and original artworks sit with Murano glass by Avem. The bathroom has a bath or shower, depending on the layout. Stucco headboards and...
This suite can connect to another suite. An extra single bed is available on request, subject to availability.
Original art, art books and Murano glass by Avem furnish the master-suite interior. The room collection pairs mango-wood panels with grey marmorino. Powder-pink velvet and stucco headboards add other finishes. The private bathroom has a shower or bath, depending on its layout.
In one lounge layout, two deep-blue sofas face across a low rectangular table with a glass top. Blue round stools stand nearby. Dark shelves around the room hold books and framed art. A clear chandelier has curved branches and hanging drops. It hangs beneath a ceiling with a decorative border, while long curtains frame the windows and a glazed door.
The floor has a herringbone pattern and small dark diamond inlays around a large pale rug. A blue padded bench stands beside the dark door. A broad framed artwork rests on the shelf wall next to it.
Original art, art books and Murano glass by Avem furnish the master-suite interior. The room collection pairs mango-wood panels with grey marmorino. Powder-pink velvet and...
Calle Larga XXII Marzo places the hotel among Venice's fashion boutiques and within easy walking distance of St Mark's Square, the Doge's Palace and La Fenice. This is a practical base for a first visit or a short cultural stay. Early hours around San Marco can be especially rewarding; later, the same centrality brings a busier street scene. Nolinski is not a secluded residential hideaway. Choose it because you intend to move through this part of Venice often, returning between visits rather than making a long journey across the city each time.
Arrival deserves some planning. The hotel describes private water taxi and public water transport routes from Marco Polo Airport, and its concierge can help coordinate a transfer. The last part of a Venetian journey is not the same as stepping out of a car at a conventional hotel entrance. Guests with substantial luggage, a late arrival or limited mobility should establish the exact landing point and onward route before travel. Once settled, the location makes a car irrelevant. Walking and vaporetto journeys open up the other sestieri and the lagoon.
There are 43 rooms and suites, including 13 suites, and the historic building gives them differing volumes and layouts. The shared design language is clear: marmorino, dark wood, velvet, carefully placed art and blown glass. Yet the experience of a compact room will differ from that of a suite with a sitting area. For a brief Venice visit spent largely outside, an entry category can make good sense. For more time indoors, or for a longer stay, compare the suites on layout rather than choosing solely by name.
The hotel's suite descriptions make that distinction tangible. A Junior Suite can have a separate sitting room or a terrace, but neither should be assumed for every unit. The Superior Suite separates bedroom and sitting room; the Deluxe Suite has an independent sitting room and dressing room. Some suites offer private terraces. If outdoor space, a particular view or a separate place to work is central to the trip, confirm the exact category and configuration before booking. A historic hotel rewards that extra attention to the room rather than an assumption that every key is interchangeable.
Families need not rule the hotel out. The property presents connecting rooms and larger suites among its family options. Still, Nolinski's small footprint and city address make it a different proposition from a resort with expansive grounds. It is particularly persuasive for guests who value a distinct room and immediate access to Venice over a broad range of activities within the hotel itself.
Dining at Nolinski carries the Zeffirino name. Il Caffè Zeffirino occupies the ground floor around an inner courtyard and patio, giving guests a place to pause between walks through San Marco. Its Italian menu runs from lunch into the evening. That is useful in Venice, where the day can easily become a sequence of museum visits and restaurant reservations. Here, an unhurried meal can fit around the city rather than dictate the whole itinerary.
The Library Bar has a different purpose and pace. On the third floor, wood panelling, a piano and more than 4,000 books give it the feel of a room one might return to, not merely pass through on the way upstairs. A ceiling fresco by Simon Buret adds a memorable visual detail. It is a good place to meet before dinner elsewhere, or to end an evening without returning to the bustle outside. The bar and cafe give the hotel social spaces with distinct personalities, while leaving Venice's wider dining scene very much in play.
Nolinski's pool is one of its clearest distinctions among central Venice hotels. The gold mosaic-lined plunge pool sits beneath historic roof timbers, with windows framing the city's rooftops. It is a place for a swim and a pause, not a large outdoor pool for spending a day in the sun. That difference matters when choosing a hotel: a guest expecting resort-style swimming facilities will find a compact urban retreat instead. For someone returning from hours on foot, the smaller scale may be exactly right.
The Ottoman-inspired treatment suite provides the other side of the wellness offer. The hotel's current treatment partnership is with myBlend, with facial and body treatments described on its wellness page. The treatment space and pool are separate, so a spa visit and a swim are not one interchangeable experience. If a particular treatment or pool access arrangement is important, check the details for the intended stay. The lasting appeal here is the ability to step out of the streets of San Marco and into a quieter, carefully made interior.
Venice offers grand canal palaces and hotels with a more ceremonial idea of a stay. Nolinski takes another route. Its former commercial building, contemporary interiors, book-lined bar and small rooftop pool create a hotel that is urban and visually distinctive without requiring guests to spend their entire visit inside. The location makes La Fenice, San Marco and the surrounding shops easy to combine in one day. It is less suited to anyone seeking broad gardens, direct Grand Canal frontage or deep seclusion.
Room selection is the decision to spend time on. The building's individuality is a strength, but it also means that space, outlook and outdoor access should be checked rather than inferred. For a couple planning performances and long walks, a well-chosen room may be enough; a suite gives more breathing room for a slower stay. Nolinski Venezia is most compelling when the hotel acts as a distinctive base for Venice, with the city close at hand and enough atmosphere inside to make the return worthwhile.
Il Caffè Zeffirino's courtyard and patio give Italian dining an intimate setting, offering a place to pause between walks through the surrounding city.
Books, wood panelling and a piano make the Library Bar a room to linger in, with Simon Buret's ceiling fresco rewarding a look upward.
Gold mosaics and views over Venetian rooftops give the pool its character, adding a different perspective after a day spent exploring at street level.
Calle Larga XXII Marzo 2032, 30124 Venezia VE, Italy
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Yes. Nolinski Venezia is a strong choice for travelers who want design, service, and a central Venice address. It suits guests who value San Marco access, artful interiors, rooftop views, spa time, and a polished boutique mood.
Nolinski Venezia is located on Calle Larga XXII Marzo in the San Marco district. The hotel is close to Piazza San Marco, La Fenice, luxury shopping, gondola points, restaurants, and key sights.
Nolinski Venezia has 43 rooms, including 13 suites, spread across five floors. The small scale gives the hotel a private feel while keeping guests in the heart of Venice.
The best rooms are usually the suites, especially for guests who want more space and stronger Venice views. Some higher categories add terraces, generous bathrooms, refined materials, and a more residential sense of privacy.
Yes. Nolinski Venezia is within easy walking distance of Piazza San Marco. This makes it practical for first-time visitors, museum plans, evening walks, shopping, and classic Venice sightseeing.
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