Best for
Make Palazzo Venart your base for wandering Santa Croce’s lanes, especially if neighborhood exploration matters more than staying beside Venice’s busiest landmarks.
Best for
Make Palazzo Venart your base for wandering Santa Croce’s lanes, especially if neighborhood exploration matters more than staying beside Venice’s busiest landmarks.
What makes it special
Restored frescoes, marble fireplaces and antique furnishings keep the palazzo’s Venetian past visible, rewarding guests who enjoy historic interiors rather than restrained contemporary design.
Room to consider
Book the Suite Deluxe for a private terrace above the Venetian rooftops, where you can spend time outdoors away from the canal frontage.
Insider tip
Reserve your GLAM dinner before filling the evening with other plans, and communicate dietary needs when booking rather than assuming the menu will accommodate them.
Free membership gives you access to preferred rates, exclusive benefits and current promotions for your stay.
Palazzo Venart Luxury Hotel makes its first impression from two directions. A discreet entrance on Calle Tron leads into a sheltered courtyard; from the Grand Canal, a private pier opens onto a garden before the palazzo itself comes into view. In Santa Croce, this is a small Venetian hotel with a particularly rewarding balance of access and seclusion. The Rialto is within walking distance, yet the garden and narrow surrounding streets give the address a gentler pace than the city's busiest routes.
There are 17 rooms and suites, each with its own treatment of Venetian history. GLAM Enrico Bartolini, the hotel's two-Michelin-star restaurant, is another substantial reason to stay. Palazzo Venart suits travelers who want a Grand Canal setting and ambitious dining in the scale of a private house. Its appeal is less about a long facilities list than about the relationship between the rooms, the gardens, the water and the city outside.
| Restaurant | Chef | Stars |
|---|---|---|
| Glam Enrico Bartolini (Venetian) | Donato Ascani Venetian Donato Ascani |
Bathrooms vary by room: some have a walk-in shower, while others have a bathtub.
Restored Venetian stucco and frescoes decorate these ground-floor rooms. Calacatta marble lines the bathrooms, where glass mosaic adds detail to the pale stone.
In the Robert Browning room, exposed timber beams cross the ceiling. Warm brown walls meet a floor of oak planks. A brick pier remains visible, and the bed has a carved wooden headboard. Deep purple curtains and a matching throw bring darker tones to the white bedding, with red-shaded lamps adding another colour.
A pale fabric-covered bench runs along the foot of the bed. Orange upholstered chairs with gilt frames gather around a small round table. A painted desk has a wooden chair in this particular design.
Restored Venetian stucco and frescoes decorate these ground-floor rooms. Calacatta marble lines the bathrooms, where glass mosaic adds detail to the pale stone. In the...
Antique oak and silk wall coverings appear in four named designs, each with its own Venetian theme. Period furniture and Italian marble bathrooms are part of these rooms. The colours change between the designs, as do the details of the décor and bathroom finishes.
Summertime pairs wood wall panels with gold damask wallpaper and parquet flooring. Red curtains frame tall glazed doors. The room has a green upholstered armchair and a small dark pedestal table. The ceiling slopes, and a red throw lies across the bed. Wooden cushioned seating stands outside in the Summertime design.
Murano uses arabesque silk wallpaper and Calacatta marble. In Casanova, the bathroom combines fine Italian marble with ivory glass mosaic. Casanova also has twin sinks and a combined bath and shower. Othello uses antique oak plank flooring and silk damask fabrics.
Antique oak and silk wall coverings appear in four named designs, each with its own Venetian theme. Period furniture and Italian marble bathrooms are part...
Period furniture and marble bathrooms are part of these Venetian rooms. Each design has its own mix of colours and furnishings. Marco Polo has silk wallpaper, a painted ceiling and a traditional terrazzo floor. Its pastel walls contrast with the darker wood of a large wardrobe.
In the Marco Polo arrangement, a pale sofa stands at the foot of the bed. Patterned cushions and burgundy fabrics add deeper tones to the seating. A tall oval mirror has an ornate gilt frame, and coloured circular panes fill the narrow windows. A carved desk has a pale upholstered chair.
The bathroom has a double washbasin and a bathtub, with Calacatta marble and pearl finishes across its surfaces.
Period furniture and marble bathrooms are part of these Venetian rooms. Each design has its own mix of colours and furnishings. Marco Polo has silk...
The room takes its name from La Sensa, one of Venice’s oldest and most lavish festivals. It celebrates the lasting bond between the city and the sea. A carefully restored original Venetian mosaic floor sits beneath an exposed timber ceiling. Warm silk wall coverings and period furnishings draw out the colours of the restored interior. Tall windows also look towards the palace’s private garden, bringing another aspect to this particular room.
Russet walls are paired with deep purple curtains and white sheers. A carved wooden headboard, a red upholstered loveseat and a patterned armchair furnish the sleeping space. The loveseat sits at the foot of the bed, with a gilded console and a tall wall mirror.
The marble bathroom pairs a double washbasin with a bathtub and a separate walk-in shower.
The room takes its name from La Sensa, one of Venice’s oldest and most lavish festivals. It celebrates the lasting bond between the city and...
Suites are on the third floor. Views vary between the garden, rooftops and Grand Canal.
An onyx bathroom and a walk-in closet sit alongside the master bedroom. There is also a living area and study. Exotic silk lines the walls, with inlaid oak floors and antique furniture adding to the décor. Designs vary, and Lord Byron uses blue walls.
In that design, blue-and-gold patterned walls meet wood panels. The wooden floor has a geometric pattern. A broad decorative screen stands behind the bed, while purple curtains and white sheers dress the tall windows. Red-shaded lamps and a patterned red bench bring warmer tones to the sleeping space.
The bathroom has twin sinks, a separate toilet and a walk-in shower reached through a passage. Velvet covers the boudoir seating, in contrast to the wood and silk of the bedroom.
An onyx bathroom and a walk-in closet sit alongside the master bedroom. There is also a living area and study. Exotic silk lines the walls,...
A separate living room and study sit alongside Dandolo’s master bedroom. Oak inlays and silk jacquard fabrics feature in the suite. Handcrafted wood panelling and pastel shades form part of its décor. The suite sits on an upper floor of the palace.
In the Dandolo arrangement, gold-and-pale patterned walls meet timber panels and a wooden floor with a geometric pattern. A dark wardrobe stands near a wide internal opening. Through this opening, the adjoining living space has pale upholstered seating and small dark tables. Red curtains and a red-and-pale patterned armchair bring stronger colour to the bedroom.
In the bedroom, a purple throw lies across the white linen on the bed. An onyx bathroom completes the suite, with a combined bathtub and shower.
A separate living room and study sit alongside Dandolo’s master bedroom. Oak inlays and silk jacquard fabrics feature in the suite. Handcrafted wood panelling and...
Silk Road and San Marco occupy the palace’s main floor. High ceilings rise above traditional Venetian terrazzo floors. Both designs are open plan, with large windows and richly detailed furniture. Sultan onyx tiles line their bathrooms.
Chinese porcelain and oriental prints sit alongside period Venetian furniture in Silk Road. Soft silk wallpaper covers the walls, and an original Murano chandelier hangs from the ceiling. A green sofa accompanies a dark tufted headboard with an ornate gilt surround. Teal curtains frame the tall windows, while a lacquer-style cabinet displays porcelain objects.
San Marco has a large marble fireplace and gold-leaf period furniture. Brocade fabrics and a finely painted ceiling form part of this design. Its bathroom has a double washbasin and a combined bathtub and shower.
Silk Road and San Marco occupy the palace’s main floor. High ceilings rise above traditional Venetian terrazzo floors. Both designs are open plan, with large...
The Andrea Palladio suite uses silk devoré wallpaper and antique oak panels. Its parquet floor has a geometric pattern. Contrasting materials recall the work of the Renaissance architect who gives the suite its name. The suite has a living area and study as well as a master bedroom, with a walk-in closet and an onyx bathroom.
Deep green curtains hang beside a glazed opening in the bedroom. Gold-toned patterned walls surround a black padded headboard with an ornate gilt frame. A yellow-green throw lies across the bed, and a red-shaded lamp adds another colour.
A chair is upholstered in deep green, matching the curtains in this particular design. The outdoor lounge has rooftop views. These take in wooden altane roof structures and narrow lanes between the surrounding buildings.
The Andrea Palladio suite uses silk devoré wallpaper and antique oak panels. Its parquet floor has a geometric pattern. Contrasting materials recall the work of...
An en-suite bathtub is part of the bedroom design, with a separate walk-in shower in the bathroom.
Tiziano sits on the palace’s main floor, with gold leaf on its exposed ceiling beams. Antique pink silk lines the walls, above an original Venetian seminato floor. Tall windows and deep purple drapes frame the main living and sleeping space, with pale patterns across the walls.
An ornate painted headboard stands against a backdrop of red upholstery. A matching red throw lies across the bed, and a small wooden writing desk has a red fabric-covered chair. Pale patterned armchairs sit around a round gilt-framed table, and a tall mirror hangs on the wall.
Vermilion red onyx and glass mosaic line the bathroom. It also has a double washbasin.
Tiziano sits on the palace’s main floor, with gold leaf on its exposed ceiling beams. Antique pink silk lines the walls, above an original Venetian...
The building was once known as Palazzo Bacchini delle Palme. Its history is not a single untouched period: the hotel traces the property to a fifteenth-century residence, describes a fire in 1845 that changed its Grand Canal frontage, and records later reconstruction and decoration. The restoration completed in 2016 kept that layered character in view. Painted ceilings, frescoes, stonework and a marble staircase sit alongside the practical comforts of a contemporary hotel.
That history helps explain the garden facing the canal. It occupies space where part of the earlier building stood before the fire, rather than serving as a decorative strip added to a waterfront hotel. From the garden, guests can take in the movement of boats without standing at the edge of a crowded public promenade. A second green space at the entrance creates a different kind of pause as guests move between the street and the palazzo.
Inside, the mood is deliberately Venetian. Period furniture, patterned fabrics, painted surfaces and richly finished bathrooms give the rooms a sense of occasion. Guests looking for spare, contemporary interiors should know that ornament is central to the experience here. At the same time, the modest room count keeps the public areas intimate; this is a place to settle into rather than a large hotel with an expansive lobby scene.
The most useful booking decision is the view. A Grand Canal address does not mean every room faces the water. Some categories look toward the courtyard, garden or Santa Croce rooftops, while designated Grand Canal rooms and suites bring the canal directly into the stay. Decide first whether a water view, a terrace or extra living space matters most, then choose the category around that priority.
Classic rooms offer an introduction to the hotel's ornate style, and the Classic Room with Terrace category adds an outdoor perch above the surrounding lanes and roofs. Prestige rooms are larger; the hotel describes three in this category, including one with a Grand Canal view. That distinction is worth checking carefully when reserving. The name Prestige alone does not guarantee the outlook that many guests associate with a waterfront stay.
For more room to spread out, the suites take different approaches. Suite Deluxe with Terrace has a separate living area and a private rooftop terrace, a good match for guests who would use outdoor space as much as the bedroom. The Suite Grand Canal pairs a living area and bedroom with an upper-floor canal view. The Luxury Suite Grand Canal Open Plan is another water-facing option, with an open layout and an onyx-and-mosaic bathroom. These are distinct experiences rather than interchangeable steps up a price ladder.
Individual decoration is part of the hotel's character, so photographs and category descriptions deserve a close look before booking. A dramatic ceiling, a quieter palette, a terrace or a particular outlook can change the feel of the stay more than a small difference in room size. The strongest choice is the room whose layout and view suit how you intend to spend time in Venice, especially if you expect to return to the hotel between walks and dinner.
GLAM Enrico Bartolini gives Palazzo Venart a dining identity of its own. The restaurant holds two Michelin stars, with Donato Ascani as resident chef alongside Bartolini. Its cooking draws on the lagoon and Venetian ingredients while taking a contemporary, creative direction. This is a considered meal to plan for, not simply a convenient restaurant downstairs after a day out.
The dining room is glazed and intimate, looking toward the courtyard and an old magnolia tree. The hotel describes two tasting menus, while Michelin also notes an a la carte option. Guests who want the full experience should allow the evening its own space in the itinerary. For those staying several nights, GLAM can be one deliberate culinary highlight without defining every meal of the visit.
The setting extends beyond the dining room. The courtyard brings greenery close to the table, while the Grand Canal garden offers another place to sit, have a drink or watch the changing light on the water. These spaces matter because Venice can be wonderfully intense. Returning to a garden behind a private entrance gives the day a clear change of pace without taking guests away from the historic city.
Palazzo Venart's food appeal is specific: GLAM is a fine-dining address rather than an all-purpose hotel restaurant. Guests who prefer a casual meal can explore the surrounding districts, then return to the palazzo's quieter setting. The gardens remain an attraction even when dinner takes place elsewhere.
Water is the simplest way to understand the hotel's position. Private transfers can reach its Grand Canal entrance, and the hotel's pier makes a boat arrival feel integrated with the property rather than merely a way to cross town. Guests using public transport can get off at San Stae and walk the short distance to Calle Tron. This combination is useful in a city where bridges and luggage can turn a small map distance into a less comfortable arrival.
Santa Croce offers a quieter base while keeping Venice open on foot and by vaporetto. The hotel places the Rialto Bridge about ten minutes away, although the actual walk depends on route and crowds. San Stae connects the neighborhood to the Grand Canal waterbus network. Guests can head toward the best-known sights, then return through a district that does not feel organized solely around those sights.
The location rewards travelers who like walking without a rigid schedule. A morning can begin in the garden, continue through Santa Croce and San Polo, and end back at the hotel before dinner. For a first visit, it is worth remembering that Venice is experienced through lanes, bridges and water routes rather than straight-line distances. Palazzo Venart makes those movements manageable, but it is still a city to explore at a measured pace.
Palazzo Venart is most persuasive for guests who value a small hotel with a strong sense of place. The Grand Canal garden and private pier make arrival and time outdoors unusually memorable; the individually styled rooms and GLAM add depth once inside. A canal-facing suite will make the water part of the room itself, while a terrace room offers a more elevated view of the surrounding city.
It is less suited to travelers whose priority is a pool, a full spa program or a broad range of casual dining under one roof. Nor is it the closest base for stepping straight out into Piazza San Marco. Those are practical distinctions, not shortcomings to disguise. For guests drawn to Santa Croce, historic interiors, the garden and a carefully planned dinner at GLAM, Palazzo Venart offers a Venice stay with a distinct rhythm of its own.
The garden faces the Grand Canal, giving you a place to watch Venice’s water traffic at a slower pace after exploring the city on foot.
The private pier brings a boat arrival directly into the hotel’s canal frontage, a useful alternative when luggage makes a walk through Venice less appealing.
GLAM interprets lagoon flavors through contemporary cooking, making dinner a distinct Venetian experience in a courtyard setting shaded by an old magnolia tree.
Calle Tron 1961, 30135 Venezia VE, Italy
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Yes. Palazzo Venart is a strong Venice choice for travelers who want Grand Canal setting, privacy, dining, and romance. It suits couples, food lovers, culture travelers, repeat Venice visitors, and guests who prefer intimate luxury.
Palazzo Venart is located in Venice's Santa Croce district, close to San Stae. The hotel overlooks the Grand Canal and is practical for Rialto, Santa Lucia station, and quieter local streets.
Palazzo Venart has 17 rooms and suites in a restored Venetian palazzo. The small size gives the hotel a private, residential feeling compared with larger Venice luxury hotels.
Palazzo Venart combines Grand Canal views, a private garden, ornate rooms, fine dining, and quiet Santa Croce atmosphere. It is especially appealing for guests who want Venice charm without the busiest tourist crowds outside the door.
Yes. Palazzo Venart sits directly on the Grand Canal in Venice. Guests can enjoy canal views, garden moments by the water, and arrival by private water taxi.
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