Best for
Choose the Palace Hotel for a downtown San Francisco stay if you want to pair Financial District plans with walks to Union Square.
Best for
Choose the Palace Hotel for a downtown San Francisco stay if you want to pair Financial District plans with walks to Union Square.
What makes it special
Reserve afternoon tea in the Garden Court if you want time under its glass dome between stops around San Francisco.
Room to consider
Pick a Superior Suite for a separate living room, so one guest can relax there while another rests in the bedroom.
Insider tip
If you arrive by BART, get off at Montgomery Street Station for a short walk to the hotel with your luggage.
Free membership gives you access to preferred rates, exclusive benefits and current promotions for your stay.
Palace Hotel San Francisco is one of the city's grand historic hotels, set on New Montgomery Street close to Market Street, SFMOMA, Union Square, the Financial District, and Montgomery Street Station. The original opened in 1875; the hotel guests enter today reopened in 1909 after the earthquake and fire. Its appeal is tangible rather than merely nostalgic: breakfast beneath the Garden Court's glass ceiling, a drink beside the Maxfield Parrish mural at Pied Piper, and an indoor pool to return to after a day downtown.
This is a large, central, full-service property, not a small hideaway. The public rooms are part of the stay, and the address works for meetings, museum visits, shopping, and city breaks. Travelers who want a waterfront outlook or a quiet residential setting should choose their base accordingly. For those drawn to San Francisco's hotel history but still needing practical access across the city, the Palace makes a persuasive case.
King rooms accommodate two guests; rooms with two double beds accommodate up to four.
A solid oak door with a brass doorknob bearing a monogram opens into this room. High ceilings rise above its carpet and layers of fabric, with decor inspired by California Impressionist art. You can adjust the heating and air conditioning within the room. A backlit mirror is part of the marble bathroom.
One King-room design has a broad pale headboard with small reading lights. The bedside lamps have angled bases in gold tones. A pale bench and bolster stand at the foot of the bed, beside carpet in deep blue and grey. Framed black and white art hangs near the headboard.
A brown chair stands at the desk near the window in this design. Sheer curtains filter the light, with heavier curtains framing the glass. White trim runs around the ceiling above pale walls and modern furniture. Storage space and carefully placed lighting are among the room's other practical fittings.
A solid oak door with a brass doorknob bearing a monogram opens into this room. High ceilings rise above its carpet and layers of fabric,...
The King setup takes two guests. With two double beds, the room accommodates up to four.
High ceilings and a spacious desk give this room places for rest and work. The marble bathroom has a lighted makeup mirror, and a duvet covers the pillowtop mattress. Power outlets and storage for personal belongings are also part of the room. The bathroom has a rain shower, with no bathtub in these standard rooms.
One King-room design pairs grey walls and white trim with a broad pale headboard. A pale bench with a bolster sits at the foot of the bed. A chair stands near a small round table in gold tones. Cream curtains frame the tall window beside a plum chair at the wood-toned desk.
The two-bed design has the same pale headboards and low benches, with a lamp between the beds. Its square shade echoes the straight lines of the furniture. A plum desk chair brings colour near the window. Framed art and carpet in grey and blue add detail below the white ceiling trim. Both designs share the room's calm, traditional palette.
High ceilings and a spacious desk give this room places for rest and work. The marble bathroom has a lighted makeup mirror, and a duvet...
The 11-foot ceilings and crown moulding give height to a room furnished for sitting and work. Its solid oak door has a brass doorknob marked with a monogram. A duvet covers the pillowtop mattress. Marble and bright tiles give the bathroom a light finish, with a backlit mirror and a rain shower.
One pale and grey design has a bench at the foot of the bed below a broad tufted headboard. Two plum chairs face a small round table, with white trim around panels on the grey walls. Framed art and lamps with square shades add detail above the carpet in blue and grey.
Near the tall windows in this design, two pale chairs stand beside a table in gold tones. Sheer and heavier curtains frame the glass, with a wood-toned cabinet along one wall. The sitting furniture is within the bedroom. One rollaway bed or crib can be requested for the room, subject to confirmation.
The 11-foot ceilings and crown moulding give height to a room furnished for sitting and work. Its solid oak door has a brass doorknob marked...
Studio layout: the sleeping and sitting areas share one room, with no separate bedroom.
Plum, midnight blue and grey bring colour to a room with 11-foot ceilings and crown moulding. The carpet and fabrics draw on California Impressionist art, with patterns across the floor and textiles. Framed art and curtains add detail around the large windows.
One grey and blue design groups a curved sofa with a chair and footstool. The chair has grey upholstery, while plum and blue cushions bring deeper tones to the sofa. A low table has a rectangular top and a gold-tone finish. Small reading lights sit on a broad pale headboard, with square lamp shades on either side.
A bathroom design uses pale, veined surfaces around a single basin. A wide mirror has bands of light, with glass panels around the shower. A hand shower sits below the overhead head, beside pale walls with framed black and white art. White ceiling trim brings the room's traditional detail into the bathroom.
Plum, midnight blue and grey bring colour to a room with 11-foot ceilings and crown moulding. The carpet and fabrics draw on California Impressionist art,...
The bedroom sits apart from the living room, with high ceilings and crown moulding above. The decor draws on California Impressionist art, with pale walls and layers of fabric. Its marble bathroom also has a lighted makeup mirror.
A pale tufted headboard and lamps in gold tones feature in one grey design. The headboard has a diamond pattern with small reading lights at either side. A chair sits beside tall curtains at the window, and a throw brings purple and grey to the bed. White trim outlines panels on the bedroom walls.
One lounge design adds plum and deep blue cushions to a grey sofa. A low rectangular table stands in front of the seating, with a plum chair at the desk nearby. Framed art in black and white hangs above the sofa. Blue carpet runs beneath the furniture, while the desk sits beside a television cabinet. The sitting furniture and desk fill different parts of this room.
The bedroom sits apart from the living room, with high ceilings and crown moulding above. The decor draws on California Impressionist art, with pale walls...
A dining area and a well-lit workspace are part of the living room, with the bedroom set apart. Eleven-foot ceilings and crown moulding continue through the suite's traditional interior. Its palette takes inspiration from West Coast Impressionist artists, while marble and a lighted makeup mirror finish the bathroom.
A bedroom arrangement pairs a dark tufted headboard with pale grey walls outlined in white. Square-shaded lamps stand beside the bed, and a long upholstered bench sits at its foot. Near the tall window, a pale chair and small round table create another place to sit.
One lounge design combines a pale sofa with blue and orange cushions. A blue chair stands beside a low table with a reflective top and lower shelf. Tan chairs sit near the table in the foreground, while a plum chair sits near a smaller round table. Framed art and cream curtains complete this colour scheme.
A dining area and a well-lit workspace are part of the living room, with the bedroom set apart. Eleven-foot ceilings and crown moulding continue through...
A bedroom and separate living room give this corner suite two distinct spaces. Crown moulding runs beneath 11-foot ceilings through the interior. The desk can serve as a dining table. In the marble bathroom, a bathtub sits apart from the shower, with a lighted makeup mirror among the fittings.
One bedroom design has a dark canopy frame and abstract art above the headboard. A pale curved sofa with cushions sits at the foot of the bed. Two dark chairs stand near the tall windows around a small round table, against walls in grey and blue.
A sitting and work area pairs two pale chairs with a round table in gold tones. Nearby, a plum chair stands at a desk joined to the television cabinet. This wood-toned furniture has panels in gold tones, with framed art above the desk. Sheer curtains hang at the window, and pale carpet runs beneath the darker pieces.
A bedroom and separate living room give this corner suite two distinct spaces. Crown moulding runs beneath 11-foot ceilings through the interior. The desk can...
Arched windows overlook Market Street from this corner suite. A separate bedroom sits beyond the living spaces, and custom rugs lie over inlaid hardwood floors. The formal dining room has a table for six, while the bedroom has a walk-in closet.
The marble bathroom has double vanities and a shower apart from the bathtub. A lighted makeup mirror is among the fittings. In the bedroom, a duvet covers the pillowtop mattress.
Ochre and cream fill one sitting room design, where pale sofas surround a tufted ottoman in gold and brown. Grey cushions add texture, with tall cream curtains at the windows. White moulding outlines the wall panels below a group of lights shaped like lanterns. Framed art adds darker accents to the walls.
A bedroom design uses ochre panels and white trim around a dark canopy frame. Abstract art hangs above and beside the headboard. Grey and blue patterns spread across the carpet, with a pale chaise near the window. Chests in wood tones and lamps with square shades furnish the room.
Arched windows overlook Market Street from this corner suite. A separate bedroom sits beyond the living spaces, and custom rugs lie over inlaid hardwood floors....
The hotel stands at 2 New Montgomery Street, near the meeting of SoMa and the Financial District. SFMOMA and Yerba Buena Gardens make an easy cultural pairing; Union Square brings shops and theaters into the same downtown itinerary. The Moscone Center and Financial District are useful reference points for a working visit, while the Ferry Building and Embarcadero can form a separate walking day. There is no need to treat each outing as a cross-city expedition.
Montgomery Street Station is close by for BART and Muni connections. That matters if you plan to arrive without a car or combine downtown appointments with other neighborhoods. San Francisco still asks for some route planning: hills, weather, luggage, and the hour of travel can change how a short distance feels. This address favors travelers comfortable using transit and walking, with rideshares for longer or late returns. It is a downtown base, not a substitute for staying beside the bay or Golden Gate Park.
The Palace first opened in 1875. After the 1906 earthquake and fire, it reopened in 1909 with the Garden Court as its defining public room. The stained-glass ceiling, Austrian crystal chandeliers, and Italian marble columns give the space a scale that photographs only partly convey. It is worth looking up before sitting down: the room links an ordinary hotel morning to the city's rebuilding era.
The history is not confined to a plaque. Maxfield Parrish's The Pied Piper, commissioned after the earthquake, has hung in the bar since the 1909 reopening. The hotel also maintains Landmark 18, a lobby-level display of photographs and objects from its past. These details give guests something specific to notice between outings. Yet the property has continued to change, including a restoration after the 1989 earthquake and a later room update. Expect a working city hotel with historic architecture, not a period reconstruction.
Rooms and suites pair traditional details with the equipment of a contemporary city stay. The hotel's own descriptions note high ceilings, large windows, marble bathrooms, and dedicated workspaces. Those qualities are not identical in every category, so it pays to compare the actual layout and view rather than rely on the building's reputation alone. A room can be a comfortable place to work and sleep, while the Garden Court and bar supply much of the Palace's wider character.
The room list runs from Superior, Deluxe, and Grand Deluxe rooms to Junior, Superior, Deluxe, Palace, and Presidential suites. A Deluxe King Room gives business travelers more space to work, according to the hotel; a Grand Deluxe Room is another option when a standard room feels tight. For a family stay, the Superior Suite's separate living area and sofa bed are more meaningful than a change in decorative finish. The Junior Suite is studio-style, so guests seeking a door between sleeping and sitting areas should look further up the suite range.
Views and bathroom configurations also deserve a closer look. The hotel describes city outlooks in many accommodations, but some categories have more limited views. Several room and suite listings specify a rain shower only, while the Palace and Presidential suites list bathtubs as well. If a tub, two beds, a separate lounge, or a particular outlook matters, confirm it against the exact bookable category. Palace Hotel is large enough that a deliberate room choice can improve the stay more than a vague request for something 'nice.'
The Garden Court remains the clearest reason to spend time inside the hotel. Beneath its stained-glass dome, breakfast feels distinct from a standard dining room, even on a day scheduled around meetings. The current hotel dining page lists breakfast, lunch, and afternoon tea. Tea is the more ceremonial way to experience the room; a morning meal is the easier fit for guests with a full city itinerary. Check the current service and reserve when the Garden Court is central to your plans.
Its scale also changes the atmosphere of the hotel. This is not an intimate dining room tucked away for overnight guests. Locals, events, and visitors share one of the property's most recognizable spaces. At busy times, that public energy is part of the scene; guests seeking complete quiet may prefer to make their visit at a less crowded hour. The original copy's instinct was right: the Palace is most rewarding when the building itself is allowed to shape the day.
Pied Piper offers a different register. Darker wood and the Parrish mural make the bar feel more contained than the Garden Court, a natural stop for a drink or casual food before heading out. The artwork is not a reproduction added for atmosphere; it has belonged to this room since the hotel's reopening. That connection is what makes a brief visit worthwhile even for guests with dinner reservations elsewhere.
For a lighter pause, the Garden Court Lounge serves drinks and bites beneath the dome, while GC2GO offers a quick option without a seated meal. In-room dining is also listed by the hotel. These choices are useful on a working day, but they need not define every meal. The surrounding downtown neighborhoods and the wider city give travelers plenty of reasons to leave the building. The better rhythm may be to experience the Palace's signature rooms, then make space for San Francisco beyond them.
The heated indoor pool is a practical distinction for a downtown stay. Its glass ceiling brings in light, and the adjoining lounge area makes it a place to slow down rather than only swim laps. For families, it adds something to do at the hotel between excursions; for business guests, it offers a break that does not depend on the weather. The fitness center sits nearby and includes cardio and weight equipment, giving regular travelers a familiar routine.
The Palace is also set up for the less picturesque parts of travel: concierge help, meeting space, in-room dining, and a staffed arrival. Those services are especially useful when a trip mixes work and leisure or when plans change during the day. They do not make the hotel secluded. Its public rooms have a life beyond overnight guests, and its downtown streets retain the pace of a business district. Guests looking for stillness throughout the property may feel better elsewhere; guests who enjoy an active grand hotel will understand the appeal.
A Palace stay can be as straightforward as a museum weekend. Walk to SFMOMA, return for a swim, and leave an evening for the bar or a restaurant in another neighborhood. On a business trip, the same address keeps the Financial District and Moscone Center within reach without giving up a sense of occasion at breakfast. For first-time visitors, Union Square, Chinatown, the Ferry Building, and transit connections offer several ways to begin exploring.
Leave some uncommitted time for the hotel. See the Garden Court in daylight, look closely at the mural in Pied Piper, and notice how the public rooms carry the Palace's history into an otherwise modern itinerary. Its rooms and facilities support a comfortable city stay, but its strongest argument is the combination of downtown usefulness and a building with a story of its own. That is the experience to book, rather than an imagined boutique retreat or resort by the water.
Maxfield Parrish’s mural at Pied Piper gives you a chance to see art commissioned for the hotel while you sit down for a drink.
The Palace’s heated indoor pool offers a place to swim with the San Francisco skyline in view between outings downtown.
The Palace’s solid oak doors and monogrammed brass knobs bring a small detail of its 1909 reopening into each return to your room.
2 New Montgomery St, San Francisco, CA 94105, United States
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