Book Four Seasons Hotel at The Surf Club with VIP Benefits

White ridged walls frame a broad padded headboard. A round table stands between two curved chairs near the windows, beside a cabinet with geometric door fronts. A green bench and warm beige rug add color to the pale room.

Set on floors five through twelve, the room has an open layout with seating beside the sleeping area. Its outlook takes in the courtyard and grounds. A walk-in shower, broad vanity and large mirror fill the full marble bathroom, where the simple lines echo the main room.

Floors five through seven face Collins Avenue, with a full wall of windows framing the streetscape. Cream seating wraps around a round table, with green cushions against the pale fabric. White ridged walls and a geometric cabinet front add texture to the calm palette.

The full marble bathroom pairs an enclosed walk-in shower with a long vanity and tall mirrors. Back in the main room, a pale rug and gently shaped chair soften the open layout. A green bench adds a stronger note of color near the sleeping area.

Windows look across Surfside's surrounding landscape, with a paneled ceiling and white ridged walls framing the interior. Cream sofas sit near a round table, and green cushions echo the padded bench in front of the sleeping area. The palette stays light, with beige cabinetry and pale curtains.

Located on floors eight through twelve, the room has a full marble bathroom with a walk-in shower. The bathroom can have a single or double vanity, depending on the layout. A broad mirror and restrained wall lights continue the room's simple design.

Cabana Row gives this bungalow a different setting from the tower rooms. On the second floor of the building envisioned by architect Russell Pancost, it has blue walls, exposed ceiling beams and wide doors overlooking palms. A pair of blue-gray armchairs faces a low table, with a pale rug beneath the sitting area.

The full marble bathroom carries the light palette into a larger bathing space. In this layout, an oval freestanding tub sits near the outward-opening doors, opposite a long vanity with two sinks. The outlook faces east or north.

A pale ceiling with geometric panels frames the windows that run around this corner studio. Cream seating follows the glazing, with green cushions beside a round table and a slim desk set nearby. The padded headboard and softly colored rug keep the sleeping area in the same quiet palette.

Set between the fifth and twelfth floors, the room has a full marble bathroom with a walk-in shower and no tub. Pale veining and a broad mirror give the bathroom a simple finish.

Windows turn the corner on two sides of this bright studio, with cream seating beside a round table and a pale desk near the glazing. White walls have vertical grooves, while a grid of shallow ceiling panels adds detail overhead. Green cushions and warm beige finishes soften the otherwise light palette.

The room occupies floors five through twelve. Its full marble bathroom has an enclosed walk-in shower and no bathtub. A broad vanity and large mirror keep the bathing area as spare and light as the main room.

A full wall of windows frames the room's sitting area, where cream sofas flank a small round table. A slim desk stands close to the glazing, with a curved chair alongside. White ridged walls and a paneled ceiling contrast with the green bench and pale padded headboard in the king layout.

These rooms occupy floors five through twelve. The marble bathroom continues the light finish of the main space, with a broad vanity and tall mirrors. White chairs and a low table stand outside the sliding doors, with clear railings along the furnished balcony.

Joseph Dirand's design brings a residential rhythm to this fourth-floor suite. The lounge has a cream sofa, a green armchair and a low rectangular table, with a framed black-and-white artwork against the white ridged wall. Tall doors open from the living area toward a furnished outdoor dining setting.

The bedroom continues the pale palette with a padded headboard, a desk by the windows and a blue-gray chair. A full white marble bathroom is paired with a powder room near the entrance. Sliding doors separate the main living and sleeping spaces.

Joseph Dirand's interiors pair pale cabinets with rounded pendant lights and a long breakfast counter. Four stools line the counter, with a green armchair and cream sofa farther along the sitting area. Tall corner windows surround the bedroom, with a desk and a blue-gray chair nearby.

The suite sits on floors four through ten. A full bathroom and guest powder room are arranged beyond the main living space, while a furnished balcony extends along its outer edge. The bedroom and lounge lie side by side, each opening toward the exterior.

Pale cabinets give the sitting area a light, residential feel. A green armchair and low rectangular coffee table anchor the lounge, beside large sliding doors along the outer wall. The bedroom has its own desk by the windows, while rounded pendant lights hang over the breakfast counter.

The suite sits on floors four and five, with sleeping rooms apart from the main lounge. It has two full bathrooms and a separate powder room. Beige surfaces and green accents link the rooms, and a sculpted cabinet front adds texture to the sitting area.

The lounge sits between the sleeping rooms, with a cream sofa facing two green armchairs across a broad coffee table. Tall windows frame the outer wall, and a cabinet with geometric door fronts adds a sculptural detail beneath the screen. A pale padded headboard and an inset desk continue the palette into the bedroom.

Located on floors four through ten, the suite includes two full bathrooms and a powder room near the entry. One bathroom has a separate tub and shower in this layout. Outside, white dining chairs and a table occupy the furnished edge beyond the living area.

Marble lines the main bathroom, where a long double vanity sits beneath two mirrors. Through the doorway, the bedroom has a pale headboard, a blue-gray armchair and tall sliding doors. The separate lounge uses cream sectional seating and green chairs around a broad low table.

On floors five through ten, the suite also has a guest powder room. A media room sits near the entrance, with the bedroom farther along the interior hall. White ribbed walls and beige furnishings keep the larger spaces visually calm.

Cream seating lines the white ridged wall, facing green armchairs across a low rectangular table. Sliding doors lead to an outdoor dining table with white chairs. Inside, pale cabinets meet a breakfast counter beneath rounded pendant lights.

On floors seven through ten, the suite places its sleeping rooms at separate ends of the layout. Two full bathrooms and a powder room lie between the sleeping areas and the entrance. Marble finishes and rainfall showers extend the pale interior style into the baths.

A long central hall links the living and dining spaces, with sleeping rooms at either end. Rounded pendant lights hang above a broad breakfast counter beside pale cabinets. In a bedroom, a green bench stands at the foot of the bed. A patterned sliding panel divides the adjoining area.

The suite lies on the third or fourth floor. Four full bathrooms are joined by a guest powder room. Along the outer edge, a dining table and lounge seating create a furnished outdoor area. Large windows and white ridged walls give the wide layout a light finish.

Marybelle takes its name from a yacht tied to The Surf Club's origins. It spans three levels of the Hotel Residence Tower, with interiors by Joseph Dirand. Cream sectional seating fills the broad living room, beside two dining spaces and a separate media room. Tall windows and a veined breakfast island add to the main level's light, residential feel.

The bedrooms sit on the middle level. Their walk-in closets have lit shelves and tall hanging sections. Six full bathrooms and a guest powder room serve the residence. Broad steps rise to the rooftop deck, where white lounge seating and planting line the edges.