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Cream and gold frame a classic city bedroom, with tall windows toward the street. In the featured room, a red wing chair sits beside the glazed doors. The writing table stands near the old hearth, below a gilt-framed mirror. Pale patterned panels and full curtains carry the colors around the bed. This mix of old and new is part of the room's charm. César Ritz chose the fireplace for the hotel's first design in 1919. More recent furniture shares the space with that original detail. The bath shown has a long vanity beside the glass shower, with pale marble across the walls and floor.

Barcelona's rooftops become part of the setting from the hotel's upper floors. In the featured room, tall glazed doors sit within full curtains and gold-patterned walls. A red wing chair stands at the writing table beside the window. Across the room, an old hearth and framed mirror form another focus. The warm tones link these historic details with the newer furniture. César Ritz chose the original fireplace for the hotel when it opened. That piece remains part of the room's design, rather than a separate display. In the bathroom shown, pale marble surrounds a broad vanity and glass shower. Its lighter finish sets it apart from the bedroom's rich gold tones.

Blue and gray tones give the featured interior a soft, classic feel. Windows face the Eixample's inner courtyard, setting the suite apart from the street-facing rooms. The wall panels carry the colors through the bed and sofa space. A low table stands before the sofa, while painted closet doors sit beside the writing area. Older details in the room share this setting with the more recent furniture. The bathroom shown uses pale stone, a lighter finish than the blue bedroom. A framed picture hangs above the tub, with the glass shower nearby. Two basins run along a broad vanity, bringing the same pale tones across the room.

An Art Suite theme gives each bedroom its own style, with tall windows toward the city. Some face Gran Via, bringing the street into the room's setting. César Ritz takes a pale, classic approach with pearl and sand shades. Red armchairs add color beside a dark wood writing table in this named bedroom. Louis XVI pieces carry the same style through the space. Dalí's bedroom has a richer feel, with antique furniture around a fabric canopy. Its pattern draws on Italian damask, while a red chinoiserie wardrobe adds a strong accent. Color, cloth and historic pieces give these bedrooms the character of their chosen theme.

The outlook turns toward the Eixample's inner courtyard, away from the street-facing rooms. These suites have different styles, from dark floral panels to a much paler finish. In the darker example, a green sofa and armchair frame a wood coffee table. Warm wood tones soften the rich pattern on the wall behind them. The lighter version places a red wing chair beside the bedroom door. Pale walls carry the classic style from the lounge into the sleeping space. This connection gives the suite the feel of a private city home. In the bath shown, an open towel shelf runs below the vanity, between the tub and glass shower.

The Eixample's inner courtyard forms the outlook for this one-bedroom city suite. In the featured layout, wide sliding doors open from the bedroom into the lounge. Parquet flooring runs through both spaces, joining them within one classic design. Pale patterned walls and full curtains continue from one room to the next. A green sofa faces the low table in the lounge. Beside the window, a red wing chair marks the writing area. These warm accents stand out against the much paler walls around them. The bathroom views show a tub along the wall beside a glass enclosure. A long vanity completes the arrangement across the adjoining area.

Two complete city bedrooms come together within this family layout. Their street-facing windows give each room its own outlook across Barcelona. In the featured rooms, full curtains frame tall glazed doors. Cream walls and gold details form a pale backdrop for red wing chairs. The writing tables bring a more recent style into these classic spaces. One stands beside an old hearth, a detail from the hotel's early design. The colors link the rooms even where the furniture sits in different places. Bath views show long vanities next to glass shower enclosures, with pale stone across the walls. Each interior retains its own character within the paired arrangement.

The family layout groups two Junior Suites with a single room around a private hall. Windows face the Eixample's inner courtyard, giving the rooms a common outlook. In the featured hall, wall panels and small lights line a runner on the floor. The rooms beyond have their own styles rather than one repeated design. One sitting space pairs pale floral panels with a green sofa. Another brings gray walls together with a red wing chair. These rooms remain distinct within the linked layout, with separate places to sit near each bedroom. Bath examples show long vanities and a tub beside a glass shower. Children's amenities and a play tent are available on request.

Each artist's theme brings a different side of Barcelona into the suite. César Ritz pairs pearl and sand shades with red accents and gold leaf. His lounge places sofas around a low table, with dining furniture beyond. A portrait hangs over the writing area among Louis XVI pieces. Books define Zafón's suite, where a bookcase holds the author's works beside turquoise fabrics. Miró favors warm yellow tones and dark wood, with photos and art dedicated to him. Dalí's design keeps the décor from his stays at the hotel. Antique pieces and an Italian-damask canopy give his main bedroom its richly layered look.

The artist's theme runs through the rooms, with a shared space between the bedrooms. In Miró's suite, yellow chairs bring warmth to the dark wood furniture. Photos and works of art recall the painter, and the second bedroom continues the same palette. Zafón's version has turquoise seating and bookshelves near the dining table. His collected works give this part of the suite its literary character. César Ritz sets red accents against pearl and sand shades, using gold leaf and Louis XVI pieces. Dalí's main bedroom has a more theatrical style, with restored antiques beneath a damask canopy. Each named design ties the linked rooms to a different part of the hotel's history.

Ronnie Wood chose purple as the thread through this Art Deco interior. Geometric forms and rich wood give the rooms a style of their own. From the top floor, the windows look out across Barcelona. Ebony, maple and rosewood appear in the furniture, alongside Wood's original paintings. In the featured lounge, a sofa and chairs face a low table. Dining furniture occupies the next space, with the same warm wood finish. A writing cabinet stands beside the glazed doors and a purple wing chair. Wood planned the placement of his paintings and chose the music collection himself. The restored bath dates to 1919, preserving César Ritz's original Roman-inspired design.

Purple fabrics and rich wood link the rooms in Ronnie Wood's Art Deco design. He chose the style and colors himself. Ebony, maple and rosewood bring a polished finish to the furniture. The suite occupies the hotel's top floor, above the city streets. In the main bedroom shown, a bench stands at the foot of the bed. The second room carries purple accents through its bed ends. A glossy wood dining table sits near the lounge, where seating gathers around a low table. Wood also chose where to hang his paintings and which music to include. Wood lived at the hotel during extended visits to Barcelona.

Pastel shades and floral silk draw on Les Milandes, Joséphine Baker's French château. Louis XVI pieces carry that style from the lounge into the bedroom. Portraits of Baker and a Folies Bergère painting recall her life on the Paris stage. In the lounge shown, a floral sofa and armchairs face a low table by the hearth. Glazed double doors open toward the bedroom, where the headboard repeats the floral cloth. An oval mirror rises above a dressing table near the window. The details give the rooms a warm, personal design rooted in Baker's own world. Her visits to Barcelona in the 1950s created the link behind this tribute.

On the second floor, high ceilings give the rooms an airy feel above Gran Via. Joséphine Baker's theme runs through the suite in pastel shades and floral silk. Louis XVI furniture draws on her French château, Les Milandes. The space between the bedrooms brings portraits and a Folies Bergère painting into the shared setting. Coral floral cloth covers the headboard in the bedroom shown. Similar fabrics carry that soft color into the lounge. Rounded chairs stand around the dining table, while two armchairs form a nook by the window. These groups of furniture give the central rooms several distinct areas within the same design. Baker's visits in the 1950s link the suite to her home and stage life.