Book Fairmont The Queen Elizabeth with VIP Benefits

These rooms span floors 4 to 17, with modern furniture and details drawn from Montreal in the 1960s. Abstract blue-green designs or warm geometric patterns add color above the sleeping area. Pale walls surround the bedroom, and a broad window stands beside an armchair and desk.

Small black-and-white patterns frame a lit oval mirror in the bathroom. Below it, the vanity has a dark counter and open shelves. The room's bright wall designs contrast with these smaller bathroom patterns. Connecting rooms can be requested, including an adjoining pair with the two different bed layouts.

From floors 5 to 17, these rooms face Mary Queen of the World Cathedral or The Ring art installation. Modern furniture and touches of 1960s design reflect Montreal's past. Abstract or geometric designs add bright color above the sleeping area. Pale walls and gray seating surround this bold wall feature.

A desk and armchair sit beside the broad window, above patterned carpet. Small black-and-white patterns frame a lit oval bathroom mirror. The vanity below has a dark counter, contrasting with the pale basin. An adjoining room with the other bed layout can be requested.

On floors 4 to 15, the room has a sitting area beside the bedroom. A gray couch and round table sit beneath a wall of colorful geometric shapes. Pale finishes and a warm-colored headboard contrast with this bright design. Hanging lights add another detail drawn from the 1960s.

The layout occupies a corner of the building and includes a desk. A walk-in shower forms part of the bathroom. Small black-and-white patterns surround a lit oval mirror above the basin. Below it, the vanity has a dark counter and open shelves, carrying the contrast into the bathroom.

Two broad windows face Mary Queen of the World Cathedral and the Sun Life Building. These rooms sit at the far ends of floors 4 to 16. Modern furniture includes details drawn from Montreal in the 1960s. Blue-green abstract patterns rise above the bed, against pale walls and a warm-colored headboard.

An armchair and desk stand between the windows, above patterned carpet. The bathroom has a walk-in shower and a dark vanity counter. A lit oval mirror hangs above the basin. Small black-and-white patterns cover the wall behind it, contrasting with the larger designs in the bedroom.

Set on floors 18 and 19, these rooms look across the skyline. Modern lines and details from the 1960s shape the interior. Colorful artwork hangs against deep blue walls above the sleeping area. Hanging bedside lights and pale furniture contrast with those darker walls, while geometric patterns run through the carpet.

The bathroom includes a bathtub. The stay also comes with a deluxe continental breakfast and hors d'oeuvres at cocktail hour in the private lounge. This shared space has sofas and armchairs around low tables. A fireplace stands beside the lounge seating.

On floors 18 and 19, the room has a sitting area beneath large windows. Blue walls contrast with pale seating and orange cushions, while angular patterns cross the carpet. Pictures above the sleeping area blend abstract designs with images of Montreal's past. A sofa sits near the foot of the bed.

Armchairs and low tables complete the sitting area. The bathroom has a bathtub, with dark finishes around the vanity and a wall light above it. A deluxe continental breakfast is included in the private lounge. At cocktail hour, the same service includes hors d'oeuvres in its shared seating areas.

Pocket doors separate the bedroom from the sitting area. A full bathroom is beside the bedroom, and a powder room sits near the lounge. These suites span floors 4 to 17. Modern furniture and details from Montreal in the 1960s shape the interior, with a broad window looking across the city.

Gray lounge seating has mustard-colored cushions beside a round table. Pale walls surround the patterned carpet, while blue and green abstract designs brighten the bedroom. The bathroom has a walk-in shower. Small black-and-white patterns surround its dark vanity counter, with a lit oval mirror above the basin.

The bedroom and living room are separate, with a full bathroom beside the bedroom. A powder room sits near the lounge. These suites are at the ends of hallways on floors 4 to 17. Their modern furniture carries details drawn from the hotel's 1960s character.

Gray lounge seating and mustard-colored cushions face a round table beneath an abstract picture. A dark wall contrasts with the pale window surround and patterned carpet. In the bedroom, a colorful geometric wall design sits beside hanging bedside lights. The bathroom has small black-and-white patterns around a dark vanity counter and lit oval mirror.

On floor 20, the room pairs a skyline outlook with deep blue walls and pale seating. Orange accents add color beside a desk and sitting area. A blue abstract picture hangs above the bed, and geometric patterns run through the carpet. The modern furniture includes details drawn from the hotel's 1960s character.

Two basins stand beneath large round mirrors with lit edges in the bathroom. Pale wall panels and bold floor stripes contrast with the dark vanity. An Expo67 print adds a local touch. The private lounge serves an included deluxe continental breakfast and cocktail-hour hors d'oeuvres.

From floor 20, the windows look across the city skyline. A generous sitting area has a gray sofa and armchairs near the glass. Orange cushions and colorful pictures stand against blue walls. A round table and low rectangular table sit above carpet with angular patterns.

A blue abstract picture hangs above the sleeping area, carrying the room's colors into the bedroom. In the bathroom, an oval bath stands beneath an Expo67 print and pale wall panels. Two basins have large, lit round mirrors, with black-and-white stripes across the floor. Continental breakfast and cocktail-hour hors d'oeuvres are included in the private lounge.

On floor 18 or 19, the suite has a separate bedroom and living room. Pale lounge seating faces a round table on a green patterned rug. Blue walls and colorful abstract pictures surround the sitting area. Broad windows and several lamps frame this mix of modern furniture and historical design details.

The bedroom has pale finishes and artwork with local historical references. A powder room is near the lounge, while the full bathroom has a rain shower. Dark vanity finishes contrast with a pale basin and wall light. Continental breakfast and hors d'oeuvres at cocktail hour are included in the private lounge.

This suite is on floor 20, with a separate living room and bedroom. Broad windows look across Montreal. Blue walls form the backdrop to gray sofas and orange cushions, alongside colorful abstract pictures. In the lounge, a low square table sits near a small round table and seating nook.

Geometric patterns cover the carpet beneath this furniture. Hanging lights and modern furnishings carry details drawn from the hotel's 1960s design. The layout includes a large bathroom. Guests have an included deluxe continental breakfast in the private lounge, where hors d'oeuvres are served at cocktail hour.

A foyer opens into a separate living room overlooking Mary Queen of the World Cathedral. Gray seating stands beside a broad window, with a patterned rug and round table. A dark wall contrasts with the suite's pale finishes. Blue-green abstract designs add color above the bedroom's sleeping area.

There is a full bathroom and a separate powder room. Small black-and-white patterns surround the vanity, with a lit oval mirror above its dark counter. A connecting bedroom is available on request. Guests also have continental breakfast in the private lounge, followed by hors d'oeuvres at cocktail hour.

The suite is on floor 20, with design drawn from Montreal's Griffintown neighborhood. Blue walls run through the bedroom and living room. Bold abstract pictures and orange cushions add color, while geometric carpet covers the lounge floor. Through the windows, the city skyline comes into view.

Two basins stand beneath large, lit round mirrors in the bathroom. There is also a rain shower. An Expo67 print hangs above pale wall panels and black-and-white floor stripes. The suite includes a powder room, and a connecting bedroom can be requested. Continental breakfast is included in the private lounge.

On floor 18 or 19, the suite has a separate bedroom, living room and powder room. Large windows look across the city toward Mary Queen of the World Cathedral. Deep blue walls surround pale sofas and armchairs in the lounge. Orange cushions add color beside a round table.

The bedroom carries these colors through abstract artwork and images of Montreal's past. A full bathroom includes a bathtub and glass-enclosed shower. Pale finishes contrast with darker upper walls. A second bedroom can connect when requested. The private lounge serves continental breakfast and cocktail-hour hors d'oeuvres as part of the stay.

On the eighteenth floor, the suite has a separate bedroom and living room, with views across Montreal. The interior mixes pale walls with dark accents and warm-colored seating. A desk and armchairs sit near the windows, while colorful artwork and patterned rugs add detail to the rooms.

There is a powder room in addition to the full bathroom. Two basins line the vanity beneath framed mirrors, with a bathtub and rain shower among the bathing facilities. A second bedroom can connect to the suite when requested. Guests also have a continental breakfast and cocktail-hour hors d’oeuvres in the private lounge. A dining room seats six.

Two separate bedrooms each have a full bathroom, with a powder room near the living space. Broad lounge and dining-room windows look across Montreal toward Mary Queen of the World Cathedral. Pale seating stands on green patterned rugs, edged by dark flooring. A sculptural hanging light sits above the dining table for six.

In the bedrooms, muted wall panels and abstract pictures contrast with patterned carpet. The bathroom has small black-and-white patterns around a dark vanity counter. An oval mirror with a lit edge sits over the basin. The stay includes continental breakfast in the private lounge and hors d'oeuvres at cocktail hour.

The suite’s living room takes its visual cue from the Plateau neighborhood, with a large black-and-white mural of Montreal architecture. Pale sofas and armchairs sit around a round table on a patterned rug. A separate dining space seats six beneath a hanging light, while the bedroom has its own sitting area.

There is a powder room by the living space and a full bathroom with a freestanding bath and rain shower. Two basins sit beneath circular illuminated mirrors, with pale wall panels and striped flooring nearby. The suite is on the twentieth floor. Continental breakfast and cocktail-hour hors d’oeuvres are included in the private lounge.

The 1969 Bed-In for Peace gives this suite a place in music history. Its living room recreates the setting of the event, while historic images and walls of small drawers form part of the interior. White paneled ceilings, patterned rugs and mustard-colored chairs sit alongside a brown couch. Blue accents continue into the bedrooms.

There are two bedrooms and two bathrooms, with a freestanding bath among the bathing facilities. A separate dining room seats six beneath a hanging light. The suite also includes an immersive experience connected to the Bed-In. Breakfast and cocktail-hour hors d’oeuvres are included in the private lounge.

A large mural of Montreal architecture gives the living room its Mile End character. Pale sofas and chairs sit above a patterned rug, with dark flooring around it. Beyond the lounge, a dining space seats eight beneath a round hanging light. The twentieth-floor suite also has a separate bedroom with a sitting area.

Blue walls and an abstract picture surround the sleeping area, while geometric carpet adds a contrasting pattern. A powder room is near the lounge. The full bathroom has a freestanding bath, a rain shower and two basins beneath illuminated circular mirrors. Continental breakfast and evening hors d’oeuvres are included in the private lounge.