Book Mandarin Oriental Lutetia, Paris with VIP Benefits

Oak floors and custom furniture give the room a modern style, with Murano glass wall lights above. A work desk offers space to write. Soundproofing reduces outside noise around the timber furniture and softly dressed sleeping area.

Daylight reaches the Carrara marble bathroom, which has a rainfall shower.

Fine woodwork and tinted oak floors set the material palette. Murano glass wall lights illuminate furniture made for the hotel. The room’s dressing area keeps belongings separate from the sleeping space.

One arrangement has a pale headboard against a fluted timber wall, with a blue chair and desk nearby. Herringbone flooring runs beneath the furniture. Daylight enters the white Carrara marble bathroom, showing the grey veins in the stone.

Custom furniture and tinted oak floors give the room a modern Parisian character. Murano glass wall lights add a handcrafted detail around the sleeping space. Daylight also reaches the Carrara marble bathroom.

In one sitting arrangement, two blue timber-framed chairs stand beside a round table. Arched glazed doors rise behind the seating, with an iron rail beyond. The architecture of the openings adds shape to the otherwise simple interior.

Cream, pale grey, aubergine and blue fabrics sit against wood panels and brushed oak floors. Hand-blown Murano glass lights add detail to the walls. Tall windows bring daylight into the room and its dressing space.

In one layout, a fluted timber wall frames the pale bed. A round table and blue chair stand near a desk at the window end. White Carrara marble with grey veins lines the bathroom, which also receives natural light.

Dark wood chairs and a cream sofa furnish the sitting area. Brushed oak floors run beneath a marble desk, while Murano glass lights illuminate fluted timber panels around the bed. A bedside touch panel controls lights, curtains and climate.

One lounge layout has a curved cream sofa, blue timber-framed chair and paired round tables. Tall glazed doors bring light across the floor. The Carrara marble bathroom has gentle grey veining and natural daylight.

Grey wood panels and brushed oak floors form a backdrop for cream, caramel, blue and aubergine fabrics. Hand-blown Murano wall lights bring another crafted detail into the room. A dressing area sits apart from the main sleeping space.

One arrangement has arched glazed doors, a dark fluted bed wall and a blue runner. Timber-framed seating adds a place to sit near the glass. Natural light reaches the grey Carrara marble bathroom.

Soft blue textiles and upholstered furniture give the bedroom the feel of a Parisian apartment. The living room is separate, with large windows lighting both the seating and decorative pieces.

One lounge arrangement pairs a grey sofa with blue timber-framed chairs and two round tables. A desk stands near the broad glazing. The bathroom has Carrara marble finishes.

Handmade Murano glass lights illuminate the interior. Living and sleeping spaces are separate, with storage built into the interior.

In one layout, a timber partition divides the bedroom from the desk and lounge. Herringbone flooring runs between these spaces, and a pale headboard frames the bed. Woodwork and glass lights give the suite its studio-like style.

Golden oak walls and a collection of books give the suite its literary character. Artworks sit among Jean-Michel Wilmotte’s furniture. A writing corner and small library adjoin the living space. Broad glazed doors bring light inside; one bedroom layout has a timber wall and a chair near the glass.

Carrara marble finishes the bathroom. The shelves honour Left Bank writers such as James Joyce and Jean-Paul Sartre.

A separate sitting room has custom furniture and carefully chosen art. Carrara marble finishes the bathroom, which contains both a shower and bath.

The Art Nouveau grotto has a rough curved stone canopy above its iron railing. Two cushioned timber chairs furnish this sheltered outdoor space. Both the living room and bathroom have terrace access.

Tinted oak floors run through the rooms beneath Murano glass wall lights. Furniture made for the hotel fills the separate sleeping spaces. Daylight reaches the Carrara marble bathrooms, which have a soaking tub and shower.

In one bedroom layout, a dark fluted wall stands behind the bed above a blue runner. Timber-framed seats and arched glazed doors add detail around the room.

Isabelle Huppert’s love of cinema and couture guided Jean-Michel Wilmotte’s design. A Macassar wood alcove stands alongside Walter Knoll furniture. A Balenciaga dress made for Huppert by Demna Gvasalia uses recycled vintage denim.

Marble in the bathroom contrasts with the timber alcove. One lounge layout has cream padded chairs and paired round tables on a blue-grey rug. A desk stands at the glass, with framed art adding a personal touch.

Art Nouveau and Art Deco details run through the furniture and finishes. A spacious living area joins the sleeping rooms, with space for belongings. Carrara marble surrounds the bathing fittings, which include a shower and a bath.

In one sleeping and living arrangement, a dark fluted wall frames the headboard. A blue runner dresses the bed, and a grey sofa occupies the lounge near a desk.

Tall windows light the bedrooms and separate living room. Soft blue rugs and fabrics sit alongside padded furniture in muted colours. The layout recalls a two-bedroom Parisian apartment.

One bedroom layout has a pale bed beside an open bookshelf. Herringbone flooring adds pattern beneath the furniture, while marble lines the bathroom.

A full-size portrait of Josephine Baker covers the living-room ceiling, recalling her place in the Jazz Age. Marco Zanuso armchairs and a large sofa sit against smoked larch wood. Tall French windows bring daylight into the bedroom, where one layout combines a striped timber wall, pale padded bench and globe lights.

Carrara marble lines the bathroom around a double vanity. A red patterned rug adds colour to the bedroom in that layout.

A collection of books gives the suite a literary thread. The two bedrooms each have an ensuite bathroom, with a living room for time together. Large windows bring daylight across the shared areas.

One lounge arrangement has a curved cream sofa, timber chairs and low round tables beneath an arched window. Curved ceiling moulding follows the architecture above it. Marble bathing fittings include a bathtub and rainfall shower, while the colours remain soft through the living spaces.

Family photographs, scripts and keepsakes sit among furniture made for the penthouse.

The bright living room has seating apart from the bedroom. Turquoise cushions cover the outdoor loungers. Plants and an iron railing frame the seating. Jean-Michel Wilmotte chose the colours and lighting inside.

Josephine Baker’s portrait spans the lounge ceiling, bringing the suite’s Jazz Age tribute into the room itself. Modern pieces mix with vintage details across the separate living and sleeping areas. Large windows brighten the shared space.

One lounge arrangement has pale chairs and a low glass table on a reddish rug, with oval windows behind the seating. The bathroom is finished in Carrara marble. The design follows Baker’s connection with the Left Bank, expressed through the art and furnishings.

Slanted ceilings rise above sweeping arches and sculpted window frames. They recall the rooftop homes of Saint-Germain. Jean-Michel Wilmotte’s design brings custom furniture into softly dressed rooms. Living and dining areas sit apart from the bedroom, with a marble bathroom.

Outside, a dining table and chairs stand among plants within an iron railing. Curves in the ceilings and window frames continue the same shape indoors.

A dining room, living room and bedroom form a generous apartment on the sixth floor. Art selected with the Carré Rive Gauche Association sits alongside antiques and modern furniture. A Gallimard library and Pierre Chareau mahogany desk give the lounge a distinct character.

Tall French windows light the rooms, and the dining table seats six. A marble statue stands in the bathroom. One bedroom arrangement pairs a cream chaise and low round table with illuminated timber cabinets and an oval portrait.

The Carré Rive Gauche Association helped select the art and furniture that give the apartment its Left Bank style. The living room has several places to sit and a dining area for meals together.

One lounge layout has sofas and chairs beside a zigzag bench on a large pale patterned rug. Tall timber shelves with built-in lights display books around the seating. Modern pieces join antiques throughout the shared rooms.